Paul Wittgenstein’s daughter embraces “For the Left Hand”

Published by Howard Reich on

FILM STILL – Joan Ripley, the daughter of left hand pianist Paul Wittgenstein, smiles as she shares memories with Norman Malone in her home.

Most of the great concertos for left hand and orchestra – including Ravel’s – were commissioned by Austrian pianist Paul Wittgenstein, whose daughter, Joan Ripley, is featured in “For the Left Hand.”

After watching the film, Ms. Ripley sent this letter to Howard Reich, quoted here in full (with her permission):

Your film ‘For the Left Hand’ is a treasure – well worth waiting for. You captured the soul of the music and the heart of the man.

Norman is a natural. He may excel at concert pieces, but he himself is ‘easy listening.’ Seeing him with school kids, with his friends and family, and hearing him talk about what happened to him made me appreciate him all the more.

My father took a giant step forward proving that being handicapped need not extinguish nor compromise one’s dreams. Hard work, courage, persistence and belief in oneself can indeed keep the flame alive.

Two extraordinary men. So different, yet their two roads converged as one, didn’t they?

Keep well. And keep filming!

All the best, Joan.

FILM STILL – Norman Malone sits at an upright piano and outstretches both his hands with an expression of pure joy. The piano used to be owned by the left handed pianist Paul Wittenstein and now sits in the home of Wittenstein’s daughter, Joan Ripley, who watches Malone.
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